The first time I actually became aware of Nora Ephron was after reading the book, “Heartburn.”
I
can’t exactly remember when that was. If I’d already seen “Sleepless in Seattle” or “This is My Life” or “Mixed Nuts” or not. I can’t remember but I think that’s okay because Ephron herself remembered nothing. She said so in her book “I Remember Nothing.”
Anyway, “Heartburn” was when I first became aware of her. The book is about a woman who finds out her husband has been cheating on her and goes about reconstructing her life with humor, humility and mashed potatoes.
Ah! That’s it! I was around 18 and living in Pittsburgh. I read a lot then and I lived off of mashed potatoes. I mean it. I had no money and potatoes were cheap, so I would buy a bag, microwave one at a time and mash it with a fork in a bowl, sprinkle it with shredded cheese, salt and pepper and eat it. I also lived off bagels from the bagel shop I worked at.
I hope Ephron would be okay with the fact that I no longer eat potatoes. Or bread. But if she’d had raised an eyebrow at that, I would have assured her I’m the better for it.
Anyway, I’d never been married or divorced. And I did not have children. And I was not even close to the age of the story’s heroine, Rachel Samstat. I wouldn’t be caught dead at group therapy and so it kind of makes no sense that I would relate to such a book.
Except I related to it.
Ephron gave her greatest lesson in that book. It’s toward the end, when a friend asks the character (based largely on Ephron’s own life) why she feels the need to turn everything that’s happened to her into a story.
And she says this:
“Because if I tell the story, I control the version.
Because if I tell the story, I can make you laugh and I would rather have you laugh at me than feel sorry for me.
Because if I tell the story, it doesn’t hurt as much.
Because if I tell the story, I can get on with it.”
Those words forever changed my life. It’s why telling stories became what I do. It’s why I value truth over manipulation of truth. It’s why I think talking about things is better than not talking about things. It’s why I believe Ephron is also right when she echoes the lesson her mother taught her: Everything is copy. Everything is a story.
I would go on to be a huge fan of her movies of course. I watched “You’ve Got Mail” and when I went to New York City years later, sat in the same Starbucks in which Tom Hanks knocks on the window and delightfully surprises Meg Ryan while she’s reading a book. I bought coffee and rugelach at Zabars and as I was getting there I discovered Westsider Books. I try to go there every time I’m in New York. It’s the quintessential used bookstore. I imagine it’s the type of place one of Ephron’s characters would wander in with a friend or a coworker rattling off dialogue with wit and perfection. It’s one of my favorite places. The first time I went there I bought Ogden Nash’s “I’m a Stranger Here Myself,” not because I knew him or his poetry but because the title seemed to fit me at the time. The second time I went there I bought a book of essays about New York and my aunt bought me a book of essays about family.
The thing about Ephron’s New York is it was her own. It’s not the New York of the hipsters or the elite. It’s quality over trend. It doesn’t have to be where everyone else is going. She knew that was the beauty of that city. I have my own, thanks to her. It includes that Starbucks and that Zabars and the Morgan Library and just outside the Julliard School of Ballet. Not inside – but outside. It reminds me of my grandmother, a ballerina. And there’s Jackson Pollack’s White Light at the MoMA. Nothing else. Just that one painting. And the pizza place outside my aunt’s old apartment, near the fire station that served slices on paper plates and there’s the road we walked down to World Trade.
I think Ephron would approve of my New York. Because it’s no one elses.
When the news broke of her death, I cried. I felt a little silly since she’s a celebrity and I did not know her. But then the stories and the tributes rolled in and I could see I was not alone. That was one of Ephron’s gifts. Her observations of the world and the way we live in it made me and countless others feel like we wasn’t the only one seeing these things. Observing these things.
And then came her last gift which came as I poured over stories and interviews after her death. I’d read the words before but they did not stick at the time. Isn’t that always the way? Things you wish would stick don’t stick when you could have used for them to stick but they stick later when you think, “ohhh, now I get it.” And like that, it sticks.
The words were: Write it down.
This goes along with “everything is copy” but – in the interview I watched, Ephron said, “just write it down,” in such a way that I got it. I understood.
As writers we tend to worry over so many things. First there’s the grammar and the spelling and remembering to put in paragraphs and then there’s the story itself and the point (or the plot if you’re writing fiction) and the lead and the so on and the so forth and above all – there’s the worry over voice. You try to find your voice.
You try to build it. Because you want your voice to come out authentic and real and reflect you to everyone in the whole entire world so you worry about it over and over and over again.
“Just write it down,” she said.
If you don’t think about building a voice, then you just end up writing in the one you thought you didn’t have but you do. And it’s you. And there you have it.
She was a journalist, a writer, a playwright, a director, a friend, a screenwriter, a cook, a mother, a wife, a sister and in no way related to me.
But I miss her already.
“What I Will Miss”
by Nora Ephron, I Remember Nothing
My kids
Nick
Spring
Fall
Waffles
The concept of waffles
Bacon
A walk in the park
The idea of a walk in the park
The park
Shakespeare in the Park
The bed
Reading in bed
Fireworks
Laughs
The view out of the window
Twinkle lights
Butter
Dinner at home just the two of us
Dinner with friends
Dinner with friends in cities where none of us lives
Paris
Next year in Istanbul
Pride and Prejudice
The Christmas tree
Thanksgiving dinner
One for the table
The dogwood
Taking a bath
Coming over the bridge into Manhattan
Pie